Dmitri Shostakovich composed his Symphony No. 9 in E-flat major, Op. 70 in 1945, following the Soviet victory in World War II. Unlike the grand, triumphant symphony many expected, it is a light, neoclassical work with a modest orchestration. The five-movement structure, with its brisk tempos and transparent textures, contrasts sharply with the weighty Seventh and Eighth Symphonies that preceded it.

The symphony’s tone is often playful and ironic, featuring lively rhythms, crisp wind writing, and a sense of mischief. The first movement is energetic and witty, while the second introduces a more melancholic atmosphere. The short, scherzo-like third movement leads directly into a solemn fourth, which unexpectedly transitions into a bright, almost comic finale. These elements contribute to an ambiguous emotional character, defying expectations of a grand victory statement.

Soviet authorities were disappointed with its lack of heroism, and the symphony was criticized for its seemingly lighthearted approach. Shostakovich later faced pressure to compose more politically suitable works, and Symphony No. 9 was effectively suppressed for a time. Today, it is recognized as a brilliant example of his use of irony and subversion, showcasing his ability to blend humor with deeper, more unsettling undertones.

The symphony has five movements:

1. Allegro – Light, playful, with neoclassical elements.
2. Moderato – Somber and lyrical.
3. Presto – Short, energetic, scherzo-like.
4. Largo – Dark and ominous, featuring a heavy brass chorale.
5. Allegretto – Unexpectedly lively, even humorous, with moments of parody.