Shostakovich’s Cello Concerto No. 1 in E-flat major, Op. 107, composed in 1959 for Mstislav Rostropovich, is one of the most significant cello concertos of the 20th century. The work is structured in four movements, played without pause, and features a distinctive four-note motif that recurs throughout. It blends sharp, sardonic energy with moments of profound introspection, showcasing both technical brilliance and emotional depth.

This brand new engraving has revised the many errors that existed in previous scores (over 30 pages of errata were considered) and is the most updated version available. The first movement (Allegretto) is lively and ironic, driven by the four-note motif played by the soloist. It has a march-like character, with biting orchestration dominated by the solo horn. The second movement (Moderato) contrasts sharply, offering a somber and lyrical meditation, with long, expressive cello lines and a dark, almost mournful atmosphere.

The Cadenza, functioning as a third movement, is an extended, unaccompanied solo that expands on themes from the previous movements. It demands great technical and expressive skill from the cellist, gradually building in intensity before leading directly into the Finale (Allegro con moto). The last movement is fast and dynamic, featuring folk-like rhythms, sharp contrasts, and a return of the four-note motif, ending in a forceful and somewhat ambiguous conclusion.

The concerto is notable for its economical orchestration, with a chamber-like transparency that allows the cello to remain the central voice. Its blend of irony, intensity, and lyricism reflects Shostakovich’s signature style, making it a staple of the cello repertoire.