Rachmaninoff: Prelude in C-Sharp minor Op.3 No.2 arr. by Sir Henry Wood $79.99 - $299.95 REPRINT SERIES The famous Rachmaninoff Prelude in C sharp minor opens explosively and even uses organ pedals, it was first heard at the Proms at the Queen’s Hall on 20 September 1913 and Sir Henry Wood recorded it in October 1915.
Rachmaninoff - Piano Concerto No.4 Op.40 3rd version (1941) $149.95 - $595.00 This is the 3rd version revised and republished by Rachmaninoff himself in 1941. It is the most performed version of this work. Following its unsuccessful premiere (1st version), the composer made cuts and other amendments before publishing it in 1928...
Rachmaninoff - 5 Etudes Tableaux orch. by Respighi $160.00 - $695.00 Serge Koussevitzky asked whether Rachmaninoff would select a group of études-tableaux for Italian composer Ottorino Respighi to orchestrate. He agreed and selected five études from Op. 33 and Op. 39. Respighi rearranged the order of...
Rachmaninoff Symphonic Dances Op.45 $165.00 - $625.00 REPRINT SERIES The Symphonic Dances Op. 45, is an orchestral suite in three movements. It is Rachmaninoff's last composition.The work is fully representative of the composer's later style with its curious, shifting harmonies, the almost Prokofiev-like...
Rachmaninoff: Rhapsody of a Theme of Paganini Op.43 $139.50 - $595.00 EDITION ZEZA REPRINT SERIES The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The whole composition would take about 22–24...
Rachmaninoff - Vocalise Op.34 No.14 in C Sharp minor for Soprano and Orchestra $39.50 Vocalise, Op. 34, No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Op. 34. Originally written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel (of...
Rachmaninoff - Vocalise Op.34 No.14 for Violin and Orchestra $39.50 Vocalise, Op. 34, No. 14 is a song by Sergei Rachmaninoff, published in 1912 as the last of his Fourteen Songs, Op. 34. Originally written for voice (soprano or tenor) with piano accompaniment, it contains no words, but is sung using any one vowel...
