The Quatre poèmes de Max Jacob, composed in 1921, show Poulenc at his most avant-garde. To the already edgy ensemble of flute, oboe, clarinet, bassoon and trumpet Poulenc adds lines of dissonant counterpoint punctuated by knotty chords, to the...

Poulenc's cantata Le Bal Masqué (for Baritone or Mezzo-Soprano and Chamber Orchestra) is written to texts by the poet Max Jacob, whose work can be seen as closely approaching surrealism; it dates from 1932. The instrumentation is strongly...

REPRINT SERIES Les Animaux modèles, FP 111, is a ballet dating from 1940 to 1942 with music by Francis Poulenc. It was the third and final ballet that he composed and was staged at the Paris Opéra in 1942, with choreography by Serge Lifar,...

REPRINT SERIES The Gloria by Francis Poulenc, FP 177, scored for soprano solo, large orchestra, and chorus, is a setting of the Gloria text from the mass ordinary. One of Poulenc's most celebrated works, it was commissioned by the Koussevitsky...

In 1919 the premiere of Le Bestiaire on poems by Guillaume Apollinaire (with Suzanne Peignot, friend and first interpreter of the composer’s mélodies). 6 movements: I. Le dromadaire II. Le chèvre du Thibet III. La sauterelle IV...

 The music is light, even at times satirical, and overflowing with popular turns and dance rhythms. (Ravel is said to have admitted to Poulenc that he envied his ability to “write his own folksongs.”)  It is in four movements:...

Often described as the last work of Poulenc’s early period, the composer himself wrote to the Belgian musicologist Paul Collaer: "You will see for yourself what an enormous step forward it is from my previous work and that I am really entering my...

This charming suite bears the subtitle d'après Claude Gervaise (16e siècle) and displays Poulenc's inimitable blend of the archaic and the anarchic. The suite lasts approximately 12 minutes and has 7 movements:1. Bransle de Bourgogne2...