Ralph Vaughan Williams’s Harnham Down is a lesser-known orchestral work that reflects his characteristic connection to the English countryside. The piece features a pastoral quality, drawing on elements of folk melody and simple harmonic language...

REPRINT SERIES Hugo Alfvén’s Midsommarvaka (Swedish Rhapsody No.1) is an orchestral work that draws on Swedish folk traditions and melodies. The piece captures the atmosphere of the Swedish midsummer celebration with its rhythmic vitality...

Bruno Maderna’s Concerto per 2 pianoforti e strumenti is a mid-twentieth-century work composed for two pianos alongside a chamber ensemble of various instruments. The piece reflects Maderna’s interest in exploring new textures and forms,...

Stravinsky’s "Ode," is a short orchestral work composed in 1943 and subtitled “Elegiacal Chant in Three Parts.” This piece is dedicated to the memory of Natalie Koussevitzky and is structured in three movements—Eulogy, Eclogue,...

REPRINT SERIES Arthur Honegger’s Pacific 231 is a symphonic movement composed in 1923, inspired by the power and motion of a steam locomotive. Rather than merely imitating train sounds, Honegger structured the piece to evoke the sensation of...

Maurice Ravel's La Valse, M.72, is a symphonic poem composed between 1919 and 1920, originally conceived as a ballet. The piece is a vivid and complex tribute to the Viennese waltz, though it evolves into a chaotic and almost nightmarish deconstruction...

REPRINT SERIES Sibelius' Tempest Suite No.1, Op. 109 No.2 is a richly atmospheric orchestral work drawn from his incidental music for Shakespeare’s The Tempest. This suite captures the mystical and dramatic elements of the play, with evocative...

REPRINT SERIES Benjamin Arthur’s Two Jamaican Pieces for orchestra, comprising Jamaican Song and Jamaican Rumba, is a lively and colorful representation of Jamaican musical traditions. These pieces capture the rhythmic energy and melodic charm of...

REPRINT SERIES Sibelius' Suite No. 2, Op. 109 No. 3, "The Tempest", is part of his incidental music for Shakespeare’s play The Tempest, composed in 1925–1926. This second suite, distinct from the first, features a selection of movements that...

Stravinsky's Les Noces (1923) is presented here in our new 2025 Revised Edition. This groundbreaking ballet-cantata that captures the raw energy and ritualistic intensity of a Russian peasant wedding. Scored for four pianos, percussion, vocal soloists,...

Ravel’s Pavane pour une infante défunte ("Pavane for a Dead Princess") was originally composed for solo piano in 1899 but was later orchestrated in 1910, giving the piece a richer, more atmospheric quality. In the orchestral version, Ravel...

Five Fragments, Op. 42 is a suite for small orchestra composed on June 9, 1935, by Dmitri Shostakovich. It was the only work, apart from film music, that he composed that year. He approached it as preparatory work for the composition of the final version...

Ravel's Le Tombeau de Couperin Suite M.68a was originally composed as a piano suite between 1914 and 1917 and later transcribed for orchestra. The piece pays homage to the French Baroque composer François Couperin, blending Baroque dance forms...

REPRINT SERIES  Ravel's L'Aurore (The Dawn), composed in 1905, is a choral work for tenor, mixed chorus, and orchestra, originally created as part of his bid for the prestigious Prix de Rome. Set to a French text by Édouard Guinand, the...

REPRINT SERIES  On Wenlock Edge is a song cycle originally composed for tenor, piano, and string quartet in 1909, which Vaughan Williams later orchestrated for tenor and full orchestra. Based on six poems from A. E. Housman’s A Shropshire...

Bruno Maderna's Introduzione e Passacaglia is a striking orchestral work that showcases his deep engagement with serial techniques and expressive freedom. Composed in 1953, the piece reflects Maderna’s affinity for both rigorous structural...

REPRINT SERIES Martinů’s Concertino for Piano Trio and String Orchestra, H. 232, was composed in just under two weeks in August 1933 and premiered in Basel on October 16, 1936. The work is structured in four movements: Allegro (con brio),...

Gerald Finzi’s orchestration of Let Us Garlands Bring, Op. 18, enhances the song cycle’s lyrical beauty with a richer, more expansive texture. Originally composed for baritone and piano, Finzi later arranged it for baritone and string...