Richard Strauss: Metamorphosen, Study for 23 Solo Strings, subtitled "In memoriam" is scored for ten violins, five violas, five cellos, and three contrabasses. The work unfolds in a single, long movement. Strauss sustains and develops a series of...

Trittico Botticelliano ("Three Botticelli Pictures") is a three-movement suite based on famous paintings by the Renaissance master Botticelli.It demonstrates not only Respighi's ear for fresh and beautiful sonorities, but also his interest in the history...

Prokofiev extracted three orchestral suites and a set of ten piano transcriptions from his ballet masterpiece "Romeo and Juliet" (one of the most enduringly popular ballets). Suite No. 2 from Romeo and Juliet, Op. 64ter:1. Montagues and Capulets2. The...

EDITION ZEZA REPRINT SERIES Bohuslav Martinů's Symphony No. 2, H. 295, was composed from May 29 to July 24, 1943 under a commission from the Czech community in Cleveland. Martinu's Second Symphony is also a work of Haydnesque proportions. It is not a...

This concerto was dedicated to the Hungarian violin virtuoso, Zoltán Székely, who requested the composition in 1936,[1] and is a prime example of verbunkos style. Bartók initially planned to write a single-movement set of...

EDITION ZEZA REPRINT SERIES Béla Bartók's Violin Concerto No. 1, BB 48a was written in the years 1907–1908. The concerto was dedicated to the violinist Stefi Geyer, with whom Bartók was in love. Geyer could not reciprocate...

Reprint Series "Cinderella" is a ballet composed by S. Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. Ten Pieces for Piano from...

EDITION ZEZA REPRINT SERIES George Antheil musical masterpiece Ballet Mécanique (1924) was originally written for the film. In concert performance, the Ballet Mécanique is not a show of human dancers but of mechanical instruments. Among...

The concerto was dedicated to Alma Mahler, the widow of Korngold's childhood mentor Gustav Mahler. It was premiered on 15 February 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. Three Movements:   1...

EDITION ZEZA REPRINT SERIES The piece is a set of 24 variations on the twenty-fourth and last of Niccolò Paganini's Caprices for solo violin, which has inspired works by several composers. The whole composition would take about 22–24...

"L'Amour des trois oranges" is a satirical opera by Prokofiev. The orchestral suite was compiled from the opera for concert use. The suite lasts for 15 to 20 minutes and is in 6 movements. 1. The Ridicules2. The Magician Tchelio and Fata Morgana Play...

Dating from 1927, the work is based on music from 18th-century and represents an attempt to transcribe birdsong into musical notation. The work is in five movements:    "Prelude" (based on music of Bernardo Pasquini)    "La...

EDITION ZEZA REPRINT SERIES Tintagel is a symphonic poem composed by Arnold Bax in 1919; it is perhaps his best-known orchestral work. Bax had visited Tintagel Castle during the summer of 1917, accompanied by pianist Harriet Cohen, with whom he was...

It is a little-known fact that Prokofiev's Op.115 Sonata was not originally intended as a work for solo violin, but rather for a group of twenty or so violinists playing in unison, a prevalent practice in the pedagogy of student violinists in Russia, of...

The orchestral version was written in 1920, dedicated to and premiered by Marie Hall. It is one of the most popular pieces in the Classical repertoire among British listeners. "The Lark Ascending" is inspired by George Meredith's 122-line poem of the...

In reality a ten-minute neo-classical piano concerto in two movements, Honegger's Concertino sports severe "wrong note" harmonies and complex counterpoint within what is actually a rigid framework. Two movements further subdivide into four, and the...

The Concerto No.2 for Horn and Orchestra is infused with Strauss' singular lyricism, reflecting the clarity of the composer's Romantic vision amid the strengthening winds of twentieth century modernism.

This concerto was commissioned by the prominent Austrian pianist Paul Wittgenstein, who had lost his right arm due to a wound sustained in World War I. The concerto negotiates several sections in various tempi and keys without pause. Towards the end of...