Fritz Kreisler's Tambourin Chinois, Op. 3, is a virtuosic showpiece for violin and orchestra that encapsulates exoticism, playfulness, and technical brilliance. Composed in 1910, the piece reflects the Western fascination with Asian culture prevalent at...

REPRINT SERIES Ottorino Respighi's Burlesca for Orchestra, P. 59, composed in 1906, is an exuberant and vibrant work that exemplifies the composer's early exploration of orchestral color and rhythm. Written during a period when Respighi was refining his...

Vaughan Williams composed three Norfolk Rhapsodies in 1905 and 1906, basing them on folk tunes he had collected around the Wash. But only the first of them has remained in the repertory, relished as one of the composer's fondest and most ravishing...

REPRINT SERIES With a rumble of timpani and raw strokes of open strings, the Overture begins with a blazing Allegro. The strings take off in running figures punctuated by brass blasts and woodwind interjections. Even when the orchestra suddenly drops...

This orchestral arrangement of Chopin’s piano music was one of a pair commissioned from Stravinsky by Diaghilev as part of Les Sylphides for performances by the Ballets Russes at the spectacular first saison russe of opera and ballet at the...

REPRINT SERIES  Villa-Lobos own transcription from Bach's "The Well-Tempered Clavier" for Orchestra of Cellos. It includes the following movements: Prelude XXIIFugue VPrelude XIVFugue IPrelude XIIIFugue VIIIFugue XXI  

REPRINT SERIESProkofiev's Symphony No. 1 (1916-17) represents the composer's earliest mature effort in a genre he returned to time and again for the remainder of his career. Though the symphony received a warm reception in Russia and abroad -- and...

 Luigi Dallapiccola was spurred to write his Tartiniana seconda, for violin accompanied by either piano or orchestra, by violinist Sandro Materassi; hoping for a sequel to Dallapiccola's well-received first Tartiniana, Materassi came to him with...

God is gone up is the second of his three opus 27 anthems. It was written in 1951 for a St Cecilia's Day Service at St Sepulchre's Church in Holborn. This well-written anthem of praise, which, like Bairstow's works, stretches the organ's resources,...

REPRINT SERIES British oboist Léon Goossens (1897-1988) is credited with reestablishing the oboe as a solo instrument and elevating its status after it fell out of favor in the nineteenth century. Romantic composers preferred the facility and...

Herrmann, for all his Angst, was a New Yorker born and bred. His Sinfonietta was composed in 1936, just before his film career took off. It contains what Steven Smith, Herrmann's biographer, describes as ''a quality dissonant Interlude''. Many years...

Following the composition of Five Mystical Songs in 1911, Vaughan Williams began to compose a smaller scale piece, which was completed in 1914. However, World War I delayed the presentation of the song cycle until 1920. In setting the four hymns to...

REPRINT SERIES  Though not readily associated with Anglican church music (despite being fully aware of its repertoire), Elgar composed two major extended anthems. The first—Great is the Lord, Op 67, a substantial multi-sectional work, begun...

 Alvorada na floresta tropical W513 was commissioned by the Louisville Orchestra and written in 1953. In form it is an overture whose performances take eight to eleven minutes.Its form is predictable, though the music itself is anything but. Hushed...

REPRINT SERIES Composed between 1936 and 1937, Rawthorne's Clarinet Concerto for Clarinet and String Orchestra lasts around 19 minutes and has 4 movements: 1. Preludio2. Capriccio3. Aria4. Invention

Three-movement work composed for the Festival Of Israel, 1972.

An Oxford Elegy is a work for narrator, small mixed chorus and small orchestra, written by Ralph Vaughan Williams between 1947 and 1949. It uses portions of two poems by Matthew Arnold, "The Scholar Gipsy" and "Thyrsis". The first performance took place...

REPRINT SERIES The text to both songs comes from one of Prokofiev's favorite poets, Konstantin Balmont. The two choruses in this set were entitled "The White Swan" and "The Wave." The former was premiered in 1910, with the composer conducting a...