The Saudades do Brasil (1920), Op. 67b, are a suite of twelve dances for Orchestra by Darius Milhaud, but originally made for Piano Op.67.

Composed after Milhaud's visit to Brazil in 1917-1918, each dance is based on a duple tango or samba rhythm and bears the name of a place or neighborhood in Rio de Janeiro. The title of the suite uses the Portuguese term saudade. In 1921 Milhaud arranged the suite for orchestra (op. 67b) and added a brief overture.

The work is well known for its use of polytonality, though sections may also be considered extended tonality or, "harmonic color".