Dallapiccola’s Sex Carmina Alcaei is a vocal work that applies his mature serial techniques to a careful setting of poetic texts. The composition uses a meticulously structured tone row to shape both its melodic and harmonic material, resulting in...

The fanfare, composed during the height of World War II, was designed to evoke a sense of optimism and celebration, characteristics that resonated strongly with audiences of the time. Its lively character and brilliant instrumentation reflect Bliss's...

Arthur Bliss’s “3 Jubilant and 3 Solemn Fanfares” for full military band is a work that bridges celebratory and reflective moods, making it particularly suited to ceremonial occasions. Composed during the mid-20th century, the...

Arthur Bliss’s Rhapsody for Soprano, Tenor, and Chamber Orchestra (F.161) was composed in 1919, early in his career when he was still exploring his unique voice. The work is a beautiful example of Bliss's ability to blend lyrical melodies with...

Herrmann’s Echoes for String Quartet, composed in 1965, is a single-movement work of introspection and quiet intensity. Its slow pacing and hauntingly lyrical lines create a somber, reflective atmosphere, with muted dynamics and delicate...

Luigi Dallapiccola’s Commiato (1972) is a masterful example of the composer’s late style, blending his deep engagement with serial techniques and his fascination with literary expression. Scored for soprano and a chamber ensemble of 15...

i) Fanfare to precede the National Anthem in G ii) The right of the Line iii) Fanfare for Princess Anne iv) High Sheriff's Fanfare v) A Salute to painting vi) Research Fanfare vii) Peace Fanfare for children viii) Let the People Sing

Hugo Alfvén regarded his Symphony No 1 (1896) as the first ‘written in the Swedish language’. It gets a little tied up in the closing pages of its otherwise clearly argued opening Allegro; the Andante is at its best when it breaks...

Little (Chamber) Symphony No. 3, Op. 71 by Darius Milhaud is a work for chamber orchestra that was composed in 1921. The work is also known by the title Sérénade. This work is not to be confused with Milhaud's Symphony No. 3, which is known...

Poulenc's cantata Le Bal Masqué (for Baritone or Mezzo-Soprano and Chamber Orchestra) is written to texts by the poet Max Jacob, whose work can be seen as closely approaching surrealism; it dates from 1932. The instrumentation is strongly...

The Little (Chamber) Symphony No. 2, Op. 49, by Darius Milhaud (not to be confused with Symphony No. 2) is a three movement piece written for chamber orchestra, consisting of flute, English horn, bassoon, violin, viola, cello, and double bass. Milhaud...

"Symphonie de Chambre No.1" also known as Chamber Symphony No. 1 “Le Printemps” Op. 43, is the first of a collection of six “Little Symphonies,” by Darius Milhaud. This piece should not be confused with Milhaud's Symphony No. 1...