Gerald Finzi’s Let Us Now Praise Famous Men, Op. 35, is a choral work composed in 1950 for a two-part chorus and chamber orchestra. The text is taken from the biblical book Ecclesiasticus (Sirach 44), a passage that honors great figures from history. Finzi’s setting of these words reflects his deep admiration for English choral traditions, blending lyrical melodies with rich harmonies that evoke a sense of reverence and solemnity. His characteristic pastoral style, influenced by composers such as Vaughan Williams and Elgar, is evident throughout the piece.

The music is notable for its delicate interplay between the chorus and the chamber orchestra, emphasizing clarity and expressiveness. Finzi’s use of two-part writing creates a sense of purity and directness, allowing the text to shine through without excessive complexity. The orchestration is restrained yet deeply expressive, featuring warm string textures and subtle woodwind lines that enhance the choral parts. The result is a piece that feels both intimate and noble, reflecting the timeless nature of its text.

Let Us Now Praise Famous Men was composed during a period when Finzi was producing some of his most reflective and spiritually resonant works. Although not as widely performed as some of his other choral pieces, it remains a fine example of his ability to set sacred texts with sensitivity and depth. The work captures his signature blend of nostalgia and dignity, making it a compelling addition to the English choral repertoire.