Bruno Maderna's edition and revision of Antonio Vivaldi's Beatus Vir represents a compelling intersection of Baroque sensibilities and 20th-century musicological insight. Vivaldi's original composition, a grand psalm setting for choir, soloists, and...

God is gone up is the second of his three opus 27 anthems. It was written in 1951 for a St Cecilia's Day Service at St Sepulchre's Church in Holborn. This well-written anthem of praise, which, like Bairstow's works, stretches the organ's resources,...

REPRINT SERIES  Though not readily associated with Anglican church music (despite being fully aware of its repertoire), Elgar composed two major extended anthems. The first—Great is the Lord, Op 67, a substantial multi-sectional work, begun...

Five Tudor Portraits (1935), by Ralph Vaughan Williams, is a work scored for contralto (or mezzo-soprano), baritone, mixed chorus and orchestra. It sets several poems, or extracts from poems, by the 15th/16th-century poet John Skelton, portraying five...

Igor Stravinsky composed his Mass between 1944 and 1948. This 19-minute setting of the Roman Catholic Mass exhibits the austere, Neoclassic, anti-Romantic aesthetic that characterizes his work from about 1923 to 1951. The Mass also represents one of only...

An Oxford Elegy is a work for narrator, small mixed chorus and small orchestra, written by Ralph Vaughan Williams between 1947 and 1949. It uses portions of two poems by Matthew Arnold, "The Scholar Gipsy" and "Thyrsis". The first performance took place...

REPRINT SERIES The text to both songs comes from one of Prokofiev's favorite poets, Konstantin Balmont. The two choruses in this set were entitled "The White Swan" and "The Wave." The former was premiered in 1910, with the composer conducting a...

REPRINT SERIESVaughan Williams often tended to focus on the composition of works in a specific genre at certain periods in his career. In 1913, for example, he wrote incidental scores to no less than seven plays (five by Shakespeare), and in 1920 he...

Dona nobis pacem (English: Grant us peace) is a cantata written by Ralph Vaughan Williams in 1936 and first performed on 2 October of that year. The work was commissioned to mark the centenary of the Huddersfield Choral Society. Vaughan Williams produced...

REPRINT SERIES Composed during the Second World War (most of it at a Budapest monastery) and completed in 1944, Missa Brevis was first performed in 1945, just after the end of the war, at the Budapest Opera House (where Kodály and his wife had...

Milhaud’s Service sacré  for baritone (cantor), narrator, mixed chorus and organ or orchestra is one of the few authentic masterpieces of twentieth century liturgical music. Composed in 1947 for San Francisco’s Temple Emanu-El, it...

Lo, the full, final sacrifice (Op. 26) is a festival anthem for SATB choir and organ, composed by Gerald Finzi in 1946. The work was commissioned by the Revd Walter Hussey for the 53rd anniversary of the consecration of St Matthew's Church, Northampton...

Flos Campi: Suite for Solo Viola, Small Chorus, and Small Orchestra is a composition by the English composer Ralph Vaughan Williams, completed in 1925. Its title is Latin for "flower of the field." It is neither a concerto nor a choral piece, although it...

REPRINT SERIES Chôros No. 10 ("Rasga o Coração") is a work for chorus and orchestra written in 1926 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled...

Babel is a neoclassical religious cantata composed by Igor Stravinsky in 1944. The piece is in one movement and has a total duration of about seven minutes. The text used is taken from the Bible verbatim. It is scored for a two-part male chorus, three...

Intimations of Immortality, Op. 29, an ode for tenor, chorus, and orchestra, is one of the best-known works by English composer Gerald Finzi. It is a setting of nine of the eleven stanzas (all but the seventh and eighth) of William Wordsworth's "Ode:...

REPRINT SERIES Perséphone (Persephone) is a musical work (mélodrame) for female narrator, tenor solo, mixed chorus, children's chorus, dancers and orchestra with music by Igor Stravinsky and a libretto by André Gide.It was first...

REPRINT SERIES Seven, They Are Seven (Russian: Семеро их) (op. 30) is a cantata by Sergei Prokofiev composed in 1917 for large orchestra, chorus, and dramatic tenor soloist. It was composed in Yessentuki and Kislovodsk, and the words are taken from the...