REPRINT SERIES The full title of this late piece by Villa-Lobos (1887-1959) is Fantasia Concertante for Orchestra of Violoncellos. Composed in 1958, it was recorded in the same year in NYC on...

This concerto, written in 1948 for the French virtuoso Marcel Mule, stands as the cornerstone of the rather limited repertoire for soprano saxophone. It is without a doubt the most popular piece for...

REPRINT SERIES The concerto was composed in 1954 in Rio de Janeiro. It was commissioned by Felicja Blumental, to whom the score is dedicated, and who gave the first performance at the Royal Festival...

REPRINT SERIES  Villa-Lobos own transcription from Bach's "The Well-Tempered Clavier" for Orchestra of Cellos. It includes the following movements: Prelude XXIIFugue VPrelude XIVFugue IPrelude...

REPRINT SERIES Composed in 1913, this Suite for Strings is divided in 3 movements: 1. Tímida: Poco andante2. Misteriosa: Andantino3. Inquieta (Air de ballet): Poco allegretto

Villa-Lobos composed his Ninth Symphony in Rio de Janeiro in 1952. It was first performed by the Philadelphia Orchestra, conducted by Eugene Ormandy. The score is dedicated to Mindinha (Arminda Neves...

Uirapuru is an orchestral piece with an elaborate program about the mythical Uirapuru bird in the Amazon jungle.  It's dedicated to ballet choreographer Serge Lifar. It is characteristic of the...

Antonio Vivaldi: Sinfonia in C Major RV 116 for Strings and Basso continuo.

In the words of the composer, The Sinfonietta was written on board the S.S. Christoforo Coloumbo en route from New York to Europe. I was going to Europe for a conducting tour which included an...

REPRINT SERIES  Kurt Weill: Concerto for Violin and Wind Orchestra Op.12 The scoring, for an orchestra of winds with prominent percussion, suggests the brilliant, biting sonorities of...

REPRINT SERIES Concerto Grosso No. 1 for string orchestra with piano obbligato is a work that successfully demonstrates the vitality of traditional approaches while remaining unmistakably...

This charming suite bears the subtitle d'après Claude Gervaise (16e siècle) and displays Poulenc's inimitable blend of the archaic and the anarchic. The suite lasts approximately 12...