Arthur Bliss's "Prologue and Five Dances" is a concert suite derived from his 1937 ballet Checkmate. The ballet itself is a dramatic allegory about a chess game where humanized chess pieces enact a tale of power, conflict, and tragic love. Bliss's music captures the intense drama and psychological depth of the narrative, and the concert suite distills key moments into an orchestral showcase. The suite is renowned for its vibrant orchestration, rhythmic dynamism, and ability to convey character and emotion through musical motifs.

The "Prologue" introduces the listener to the world of the chessboard, portraying the calculated and strategic nature of the game. Bliss employs a ceremonial and stately tone, using bold brass and sweeping strings to set the stage. This section underscores the duality of the characters, who embody both the abstract roles of chess pieces and their human qualities, such as ambition, loyalty, and treachery. The music gradually builds tension, hinting at the battles and emotional turmoil to come.

The Five Dances highlight pivotal scenes and interactions between the characters. Each dance is distinct, showcasing Bliss's skill in creating vivid, character-driven music. For example, the Dance of the Red Pawns is a brisk and militaristic piece, capturing their disciplined yet sacrificial nature. In contrast, the Black Queen's Dance is darkly seductive and menacing, reflecting her central role as the antagonist. Bliss uses dissonant harmonies and intricate rhythms to depict her cunning and ruthlessness, providing a stark contrast to the more lyrical and romantic themes associated with the Red Knight and White Queen.

Bliss's "Prologue and Five Dances" remains a masterful example of 20th-century ballet music adapted for concert performance. It encapsulates the dramatic essence of Checkmate while standing alone as a compelling orchestral suite. The work’s energetic drive, rich textures, and emotional depth have made it a favorite among orchestras and audiences alike, cementing Arthur Bliss’s reputation as one of Britain’s most distinguished composers of the interwar period.

This Concert Suite has 6 movements:
I. Prologue: The Players
II. Dance of the Four Knights
III. Entry of the Black Queen
IV. The Red Knight's Mazurka
V.  Ceremony of the Red Bishops
VI. Finale: Checkmate