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Grażyna Bacewicz’s Symphony No. 3 (1952) is a striking example of her neoclassical style, blending dynamic orchestration with structural clarity. Composed during a period of increasing Soviet influence in Polish music, the work balances expressivity with formal discipline. It features bold, rhythmic energy and a strong sense of direction, hallmarks of Bacewicz’s orchestral writing.

The symphony follows a traditional four-movement structure, each movement showcasing her skillful handling of orchestral textures. The first movement is marked by driving rhythms and assertive brass statements, while the second movement provides contrast with lyrical themes and expressive string passages. The third movement, a scherzo, introduces playful, rhythmically intricate ideas, leading into the final movement, which combines elements of dance and dramatic resolution.

Bacewicz’s Symphony No. 3 stands out for its craftsmanship and forward momentum, reflecting both her individuality and the broader stylistic trends of mid-20th-century Polish music. It remains a significant work in her symphonic output, demonstrating her ability to merge structural rigor with vibrant musical character.